Masters of the Universe Revelation

First of all, spoiler alert... if you haven't watched MOTU Revelation yet, maybe pause and go do that... if you care. 

Anyway, I know there are mixed feelings all over the internet about this show. Interestingly, I haven't heard anybody discuss the issues I have with the program. I want to first mention, I'm a huge MOTU fan. I've watched all the original series He Man and She Ra, and loved the 2001 He Man reboot and the newest She Ra reboot. All awesome. (I haven't watched the New Adventures, as it's been elusively difficult to find). All the stuff about Teela being a central character, Orko dying (or did he?!), and the animation... I'm good with. The issues I have with the new show has primarily to do with the fact that it boasts being a continuation of the original series. For that to be, it must follow a few guidelines outlined by that series to actually work. By the way, I'm totally good with updating a show to the modern era, taking creative liberties, and changing aspects of it that makes a show cooler. We need more diverse characters and stories, so I am generally always into changes along those lines. And I wanted so badly to love MOTU Revelation... I just can't. It's so damn mediocre it hurts. 

On a level, these points may seem nitpicky but since the plot wouldn't be possible without them, I'm gonna plant them firmly in the lazy writing dept. So, I have to assume that either 1. The writers haven't watched the original show, or 2. They don't care. Either way... unacceptable. Do a reboot instead. 

First, King Randor banishing Man at Arms for not revealing Adam is He Man. No. It's too out of character. But also, MaA would just be following orders from a prince by keeping that secret. Sure, Randor would be mad his son is gone and the news of being He Man would be a shocker, but kick his most valuable soldier out of the kingdom at a time of crisis?! When the man's daughter is also the best soldier?! I think not. It makes no sense and they had so much history together, they'd work through it. Especially with Queen Marlena's POV and influence in there, yeah... gimme a break writers. Of course, the plot couldn't happen without this happening, so lazy writing strikes. 

Next, we have a situation that clearly disrupts the balance of Eternia. Who should be there? Zodac. Or, maybe even a whole mess of cosmic enforcers. This is a major oversight that needs explaining for anything that happens in the show to work. Why are they not there? We get the little nod through the member of Greyskull's posse. Why didn't that dude speak up?? Lazy. Explain why. Even if it's something like, they lost all their tech due to some maguffin, or something silly. 

Why bring up Trolla? Then it needs to be acknowledged how Trolla works, with Orko being a good magician there, instead of a klutz. The show didn't need to bring up the place, but decided to go there... just to mess it up. Orko still being a klutz even in Trolla is another detail that, if continuing off original series, is a big mess up. Or, if they weren't really in Trolla, Orko would know instantly when his magic didn't work right. So this ends up being so annoying. 

Now for He Man...

Calling on the power of Grayskull once already He Man? Does it seem remotely possible that he wouldn't think of trying that if it were a thing and wait until now to do it? No, it does not seem possible. That's because it's not a thing in the original series and shouldn't be a thing if this show actually continued from the original series. Just, no. It's stupid and not part of the character's powers. 

Finally, stabbing He Man while mid transformation like he's in a vulnerable state. I don't buy it. Here's why. The most we see in the original series to indicate he's transforming is a brief flash of light, not much more than a blink. All the rest, the song, the changing of Cringer into Battlecat, it all happens outside the normal experience for others... so it happens for He Man and Battlecat but not for nobody else. This logically leads to it seem like no time passes between when Adam changes to He Man, it's a blink. He's either one or the other. But once again, this was a tactic to further a flimsy plot. And it makes no sense. 

The problem is, there's a lot of good writing on TV right now. Why not take the time to get this stuff right? They had good animation and other aspects of Revelation are nice updates (like Teela being a badass) and are well done. Unfortunately these story flub ups undermine the good qualities of the show. So it comes across as unthought-out fan fiction at best and at worst, a cash grab on people's nostalgia. 

Here's to hoping part 2 is better. 

All Superheroes Must Die (2011)

Last night I had the pleasure of watching All Superheroes Must Die, a movie I picked up at the Dollar Tree. Now, that can be a mixed bag and maybe I wouldn't be so fond of this one if I'd paid more for it. Who knows. The fact is, ASHMD is a quirky low budget movie that tackles the Superhero concept in a way that was new for me. While at the same time, it has plenty that'll be familiar to anyone who has spent any time with the popular genre. 

First of all, I don't think this movie would exist without the current Marvel and DC movie craze, it needs those as a foundation to riff off of. Yet, I think it's more interesting than anything those two have released. I find myself so bored with the rehashing continually on the part of both of those, Marvel especially, that I can't remember which ones I've seen or haven't and what happened in what movies... it's all a blur. 

Meanwhile I'm convinced that the reason ASHMD got terrible reviews (according to their Wikipedia page) is because it didn't deliver a package at all similar to what those big box office films do. Did anybody notice the budget of $20K???? Unbelievable what it accomplished with that. 

Let's do some math... take the 2012 release of The Avengers for example. 143 minutes of movie with a budget of 220 MILLION. So the outcome is about 1.5 million per one minute of movie. That one minute of Avengers could pay for ASHMD 76 times and still have beer money left over for the cast and crew. (You'd think for the big budget movies they could at least pay somebody to write a decent script *jab*jab*). Okay, so next time somebody is shitty about a movie, also take a look at what they had work with. Or, don't. Up to you. To me, it matters. 

So, it's about a team of heroes that face off against an arch villain who's taken their powers and put them in a sort of running man situation. But, it's rigged against them and there's no way to save everybody. It gets kind of brutal and the practical effects are not bad. The sets are not bad. The acting, while it has a made-for-tv vibe, is not bad. The script, while it kind of reminds me of a high school movie project in a few regards, is actually not too bad. The costumes are not bad. Actually, they're fun. 

I was expecting something along the lines of Mystery Men or maybe Watchmen when I sat down to watch ASHMD, but I knew nothing about it. So, at first I was a little bummed, but I got into it. There is a type of catharsis that comes from watching the heroes get their asses kicked, have to experience a real pain and loss and even lose saving the innocents. There were also a few twists that surprised me. And I liked the team dynamics. Even though, I would have a hard time believing any in ASHMD could face off against a team of Marvel/DC peeps. Instead they reminded me of what I'd hoped White Wolf's Aberrant ttrpg would provide, something as much human as hero and actually vulnerable. 

The pacing moves right along at a consistent clip. And I've read there's a sequel, and guess what? I'd like to try and see it. It's probably cool. 

Okay.... if you enjoy the indie low budget movie, give this a shot. It's interesting and unique (and way way way better than Shadows and Lies :-D). If you have no patience for that and need the big budget special effects, you'd be better to skip this one. That's the bottom line. I was pleasantly impressed. 

The Warlord: Battle for the Galaxy (aka The Osiris Chronicles) (1998)

Have you ever wondered what a sci fi movie would be like if you filmed it in your living room and backyard? Using nothing but a green screen and a Pentium for special effects? Now you can know. Just watch Warlord Battle for the Galaxy.

It has a real solid made for TV vibe with parts that will remind you of STNG, Babylon 5, Star Wars, and everything cheesy that went into sci fi space shows of the 90s. And I can't really complain. It's plenty entertaining. 

The main character, played by John Corbett, is initially too whiny but he grows on you. It helps that Corbett has one of the best voices for narration. (Remember Northern Exposure?) You get some of that here. I could seriously listen to the guy talk all day. 

Some cool aliens show up and there's a fight involving a flaming flail thing. There's also some almost tasty spaceship chase scenes. All acceptable. 

The plot involves rescues and starting revolutions, and some minor generic sci fi government BS. It's all so we can meet the new crew for the spaceship that was definitely designed to take center stage for a show that never happened. I can imagine, while the movie reminds the viewer of so many beloved storylines, it's not better than any of them and doesn't bring anything new to the table. Oh well. It's available to watch on YouTube so ease of access can give watching it a boost in probability. 

Go check it out. Fun stuff. 

Deathstalker 4: Match of Titans (1991)

Rich Hill is back and I can only imagine the relief long time Deathstalker fans must have felt to see that, in 1991 when this film was released. I gotta say, this one truly captured the vibe of the first Deathstalker movie and that alone makes it watchable.

Right off the bat the movie addresses how Deathstalker doesn't have his magic sword and what happened to it. I felt like this was a nod to number 2 and 3 in the series, where the magic sword isn't ever mentioned. Like, here ya go... here's why we never said anything about the sword. Then when Deathstalker finally does get his sword back, near the end, it does a bunch of stuff that it never could do before. This ends up being pretty hilarious and somehow is totally fine. It's probably good he didn't get it back earlier, he'd have been near unstoppable.

Also interesting, the movie had much the same plot as Deathstalker 2, at least as far as centering around a tournament that a bunch of warriors have to fight in, and Deathstalker meets a few on his journey there. It makes one wonder, do these tourneys happen often? Or, do we just happen to catch Deathstalker twice going to one? It's mentioned that every warrior within 200 miles is there. That ends up being about 25 people, apparently. With travel times as they are in the movie, seems like many people must just go around fighting all the time or traveling. In fact, one guy there refers to himself as an athlete and seems to be training for just such a life. As some of the warriors get killed off, maybe it's not hard to see why there's so few left around. Anyway...

An evil sorceress, Kana, is poisoning the warriors with wine so she can turn them to stone, build an army of golems, and essentially eliminate anybody who could challenge her at the same time. It's a brilliant plan. And it would have worked perfectly if she was just a little more careful. She just left the stone person antidote lying around and didn't take into account that one warrior might not be into wine. It spelled her doom. There's certainly no way Deathstalker could have otherwise stopped her.

So it all works out. Deathstalker slow motion dance move sword fights his way through hordes of wimpy soldiers. And he has all the best warriors within 200 miles to help him out, so it's not that tough. His princess pal conveniently used to live in that very castle and can now rule again. So it all works out nicely. Now I wish there were 17 more Deathstalker movies to watch.

Deathstalker III: The Warriors From Hell (1988)

I actually enjoyed this movie quite a bit despite it being mostly a piece of crap. At the start I thought maybe we were getting a scene that would have little to do with the plot, to perhaps set the tone or show how evil the bad guys are, or maybe a glimpse at Deathstalker's skinny lithe sidekick. But no, it's Deathstalker himself. 

The actor playing Deathstalker (John Allen Nelson) in all honesty seems to do his best, he's just too skinny and talkative to be our friendly fantasy neighborhood Deathstalker. He did grow on me, however, and I started to imagine this was a prequel movie, young Deathstalker. Back before the muscles and the magic sword, the real fights and the actually mean powerful bad guys, this was the adventure where Deathstalker cut his teeth. And that mindset made the whole movie feel more right. 

One thing I noticed is that he gets knocked unconscious a lot. It would make sense that he'd switch around his fighting technique and work out more so he could get tougher, and learn to watch his back to avoid this. He had to get more alert if he was to take on tougher foes. 

He also relies on allies a lot more. Deathstalker always has allies, but in this one they save him more than once. As a young guy he had to learn how to save others by hanging with his cool pals. Got it. Nice origin story stuff. 

There's also twin princesses played by Carla Sands (very weird. Look her up). It's another Deathstalker movie with two characters played by the same actress. It doesn't really make any sense or have much of a point, but it's a fun touch. The princess isn't interesting enough to really capture Deathstalker's attention and that's pretty much her character. 

The movie centers around both Deathstalker and an evil guy trying to get these crystals that give power when all together, or treasure, or something. The evil guy, played by Tom Christopher, doesn't seem that bad though. He's mostly a rich ahole that is mean to his girlfriend. He throws parties and has random people over all the time, and has crowds of bumbling soldiers at his disposal. They all live as a happy family in his castle. 

Deathstalker's main love interest is this kinda feral girl that he meets in the woods who's a good archer (played by Claudia Inchaurregui) even though he doesn't even really seduce her. I have to imagine it was the heartbreak of losing her that leads to his free love cold hearted attitude in later years. 

There's also a wizard that supposedly has intel on the crystals but then he doesn't, and he doesn't do much except teleport into the castle in dramatic fashion and then have his life threatened over and over. I'm thinking, teleport out, bud! Go home! But he's Deathstalker's friend so he sticks around. He looks like he's out of an old Kung Fu movie with his big hair and beard, but he's got zero moves. 

Besides Deathstalker, every character's name is impossible to remember in this one. You can look then up but I swear, they still won't ring a bell. It doesn't detract from anything, just something to know. 

The fight scenes are noticeably terrible. I especially like one where Deathstalker and the bad guy are dual wielding, Deathstalker is even holding a candelabra, and they lock up and do this awkward slow spin careful dance move. So weird. Anyway, all the sword play looks like middleschoolers in the backyard, hopping around on a jungle gym with cardboard swords, trying not to hit each other too hard. This is the most boring aspect of the movie. 

Finally, while the cover to this movie has super cool art, it has absolutely nothing to do with the film as far as I can tell. It's like, at this point they're just putting a muscle bound dude with a scantily clad lady on the cover and boom... Deathstalker. Who cares what actually happens in the movie. That's fine. It's silly. It's fun. Watch it if you like this kind of silly stuff. I do. Goodnight. 

Deathstalker 1 & 2; Barbarian Queen; The Warrior and the Sorceress

I'm a big Roger Corman fan, mostly due to seeing Death Race. The doing more with less, in a time of real effects instead of CGI, appeals to me. I also enjoy seeing the young actors that turned into stars and looking up the ones that maybe didn't become big famous Hollywood actors, but took other interesting life paths. So, I ended up stumbling upon this 4 movie collection, containing Deathstalker 1 & 2, Barbarian Queen, and The Warrior and the Sorceress. I should mention, I watched all of these basically back to back, but had trouble getting through the last one, so it's still paused part way through in my DVD player.

Deathstalker I

First, the cover art is fantastic. I think it's Boris, which just brings me back to my middle school days when I had a pack of Boris art cards and was blown away. It's not quite Frazetta, but ok I'll take it.... an apt analogy for this collection.

I read that Corman wanted to capitalize on the success of Schwarzenegger's Conan, so went ahead with Deathstalker. Good enough. The actor isn't quite Schwarzenegger in beefiness, but he's buff and a pretty decent fit for the role. I mean, if I was doing a Conanesk movie and had this guy (Rick Hill), I'd feel really, really good about it. 

The sheer quantity of  scenes with topless women in this movie (and all these movies) would be the elephant in the room if I didn't bring it up. It's kinda funny because if it wasn't for that aspect, the movies would pretty much be fit for 12 year olds to watch. Instead, they're adult movies. It really is to a silly extent that these scenes are in Deathstalker, which is something I'm personally fine with, but definitely worth knowing before sitting down to watch it. 

Much of the movie is a little too not grimy enough, like how'd they manage to not get dirty in this fantasy world dust shanty town? Or, how'd they get dirt everywhere except on their clean shaven faces? Not a big deal, really, but the cheap sets are what make the movie feel low budget and not in the same league as Conan. Yes, in this case I'd say that's somehow more important than the script, acting, and score. Usually I'd argue for script. But I'm convinced that if you made Conan with the Deathstalker script, you'd still have Conan. 

The plot wasn't that memorable for Deathstalker, but maybe that's the point. He's got a sword that makes him invincible when he's holding it so the bad guys are usually afraid of him, get their butts kicked, and try to catch him without the sword or finagle it away from him somehow. The big bad sorcerer (inspirado for the bad guy in Krod Mandoon??) isn't too impressive without his henchmen, but whatever. There are some women Deathstalker must save with his sexual prowess and muscles, and he does so effectively. 

Deathstalker II

Deathstalker is played by a different actor in this one, a guy who's not nearly as muscled or stoic. It's a different kind of movie, much more silly and funny on purpose in a Deathstalker-ey kind of way. Honestly, it feels like a parody of the first movie. 

In this one, Deathstalker cares way less about his sword and it doesn't even seem to be as important towards keeping him alive. Maybe nobody cared. The movie is still fairly entertaining, it just doesn't feel like a sequel to all that is Deathstalker. 

And the twin stuff that happens is super weird. Seems like that was just a way to get Monique Gabrielle a few extra costume changes. 

And some of the sword fights in this one seem a bit better. 

Barbarian Queen

A bunch of good friends get together to go kick some asses. They just happen to be barbarians and they just happen to be sexy ladies. There's some wimpy torture and a few very creepy dudes for them to murder. I mean, is this movie supposed to have more going on than this? 5 stars. 

The Warrior and the Sorceress

Dust, dust, and more dust, and David Carradine never had muscles like he does on the cover of this one. Those are the big takeaways from The Warrior and the Sorceress. A few warriors are on their way to a tournament and become buds, then find out some weak people need their help and that the tournament is run by some evil dude suppressing them. So everybody uses the magic of teamwork and David Carradine gets a big sword, then there's a fight and the movie ends. I mean, it just ends. The movie is very short. So short that it seems too short and maybe they ran out of money or time, or something. But it's good while it lasts. 

Found out I only had about 5 min left when I thought I was only half way through. 🤣

Damnation Alley (1977)

Through my love for the game Gaslands, the book and movie Damnation Alley were both recommended to me via Twitter. Luckily enough, I'd picked up the book at a library book sale and had it sitting on a shelf. I loved reading the Roger Zelazny classic and did so in only a couple days. So I thought, why not check out the movie?

The most frustrating thing about the movie is that it got a lot right, so the potential is evident. Movie adaptations of books are notoriously not as good so I tried to keep expectations low. But with George Peppard (A-Team) and Jan Michael Vincent (Rick & Morty) taking center stage, it was hard for me not to feel giddy. They're pretty good and the rest of the cast is fine, too. Although every time Peppard came on screen, with a funny little mustache, I kept imagining him as his character Hannibal Smith in a disguise. 

For 1977, the effects are good enough, despite being kind of weird... actually just the giant scorpions are overly weird. Whatever, though. I wanted to get into this movie so badly, I even thought that worked okay. Also, the truck is pretty badass, which I was concerned about, and is actually the perfect vehicle for this movie. 

So, the unfortunate part of Damnation Alley is that the script sucks bad, especially if you've read the book. Without the book under my belt, I'd have probably liked this movie better, but instead I just saw what it could have been. If the story followed the book, the scenes that took place while they traversed the US would have not only made more sense, but would have been more interesting. Also, the characters would have had relationships with at least a little depth, and some motivation. And the biker vs vehicle scenes from the book would have been cool to see on camera. The makers of this movie had all the ingredients and budget they needed, they just messed it up anyway. 

The movie is entertaining enough, but scenes come across feeling disconnected, like little short movies that don't make much sense when put all together. And the movie drags in places. All together it's a mediocre affair. Why was a kid added? And the pockets of civilization they encounter don't seem plausible even in the least. It's annoying when you see what this movie could have been. Oh well. Read the book.